Monday Mar 15, 2010
Bear in Heaven, Jeff The Brotherhood, Signals, & The Show is the Rainbow
Mon March15: Bullhorn Presents
Bear in Heaven
www.myspace.com/bearinheaven
Jeff The Brotherhood
www.myspace.com/jakeandjamin
Signals
The Show is the Rainbow
and more tba
9pm
Bear in Heaven
on Philpot has previously released music as part of the duo Presocratics, in collaboration with guitarist and composer Need Thomas Windham. Presocratics released two albums on the record label Table of the Elements in 2001; both were produced by Philpot. The first Bear in Heaven release (Tunes Nextdoor to Songs, Eastern Developments 2003) was an EP of solo recordings by Philpot, with guest musicians performing on various instruments. Shortly after the release of Tunes Nextdoor to Songs, Philpot joined with guitarist Adam Wills, keyboardist/guitarist Sadek Bazarra (a graphic designer with Brooklyn design collective GH avisualagency), guitarist David Daniell (of San Agustin), and bassist James Elliott (Ateleia, School of Seven Bells). Eventually drummer Joe Stickney (drummer with Paul Duncan, Rhys Chatham's Essentialist project, and current touring drummer with Panthers) was added to the lineup. Daniell left Bear in Heaven in 2005 to focus on his solo project. In 2006 they did a Take-Away Show video session shot by Vincent Moon. Red Bloom of the Boom, Bear in Heaven's first full-length album with the full band, was released in 2007 by the Hometapes record label. Elliott left the band after the completion of the recordings of Red Bloom of the Boom to focus on School of Seven Bells and his solo project, Ateleia. Bear in Heaven now performs as a four-piece with Philpot on vocals, guitar and keyboards; Wills on guitar and bass; Bazarra on bass and keyboards; and Stickney on drums. Their most recent album, Beast Rest Forth Mouth, received the "Best New Music" award from Pitchfork Media, with the reviewer stating: "Beast Rest Forth Mouth is as familiar-feeling as it is difficult to pinpoint. Mostly made up of textural, spacious three- to four-minute pop anthems with towering choruses, BRFM is a welcome reminder that an album doesn't have to be bombastic to feel huge and important. Take out the earbuds and let it fill a space: This is music that's bigger than your iPod—music you'll want to feel all around you. Though not quite coming out of nowhere, BRFM seems like a surprise gift—a striking consolidation of the spiky psych-prog tendencies of their debut into a pop framework." [1]
Jeff The Brotherhood
JEFF The Brotherhood is Jake and Jamin Orrall, two brothers that play drums and guitar. They grew up in Tennessee making music and trying to have a good time. Since their inception they have been playing anywhere from house parties to rooftops, backyards, bars and art galleries and releasing their own records, tapes, comic books and home made videos. The Brotherhood has been called "kraut punk", "psychedelic grunge" and "noise pop" drawing comparisons to bands like Hawkwind, Wipers, and early Sonic Youth. They have been carrying their heavy damage all over the country since 2006 and have shared bills with Oneida, Battles, Sonic Youth, Ex-Models, Jay Reatard, Black Pus and Dave Cloud. Their "we'll play anywhere" attitude and frenetic live shows have earned them near legendary status in the clubs and basements of Nashville and beyond. With three guitar strings and a minimal drum kit, they manage to distill rock to its primal essence. 2009 has seen JEFF The Brotherhood rip up stages with the likes of Ted Leo & The Pharmacists, Ty Segall, and legendary Japanese rockers Shonen Knife. All in support of their 5th full-length, 'Heavy Days', on the group's own imprint Infinity Cat Records. January 5th, 2010 will see the CD-version of 'Heavy Days' be released, as their vinyl-only LP has out-sold even the likes of Metallica and topped many U.S. vinyl sales charts since Oct! Here's what the press has been saying about JEFF: "Think this is 'heavy'? Try 'obliterating.'" - Self-Titled Magazine "Noisy, psychedelic, grungy, even ever-so-slightly post-punk, JEFF feels like a stroll through the best record collection ever" - Punknews.org "Just try to get through one of their sets without stomping your foot and pumping your fist." - Nylon Magazine "Jeff the Brotherhood brings a garage-rock attack to ’70s stoner metal, sounding something like Queens of the Stone Age if they recorded a tribute album to the Standells or some other Nuggets rock band." - Entertainment Weekly
on Philpot has previously released music as part of the duo Presocratics, in collaboration with guitarist and composer Need Thomas Windham. Presocratics released two albums on the record label Table of the Elements in 2001; both were produced by Philpot. The first Bear in Heaven release (Tunes Nextdoor to Songs, Eastern Developments 2003) was an EP of solo recordings by Philpot, with guest musicians performing on various instruments. Shortly after the release of Tunes Nextdoor to Songs, Philpot joined with guitarist Adam Wills, keyboardist/guitarist Sadek Bazarra (a graphic designer with Brooklyn design collective GH avisualagency), guitarist David Daniell (of San Agustin), and bassist James Elliott (Ateleia, School of Seven Bells). Eventually drummer Joe Stickney (drummer with Paul Duncan, Rhys Chatham's Essentialist project, and current touring drummer with Panthers) was added to the lineup. Daniell left Bear in Heaven in 2005 to focus on his solo project. In 2006 they did a Take-Away Show video session shot by Vincent Moon. Red Bloom of the Boom, Bear in Heaven's first full-length album with the full band, was released in 2007 by the Hometapes record label. Elliott left the band after the completion of the recordings of Red Bloom of the Boom to focus on School of Seven Bells and his solo project, Ateleia. Bear in Heaven now performs as a four-piece with Philpot on vocals, guitar and keyboards; Wills on guitar and bass; Bazarra on bass and keyboards; and Stickney on drums. Their most recent album, Beast Rest Forth Mouth, received the "Best New Music" award from Pitchfork Media, with the reviewer stating: "Beast Rest Forth Mouth is as familiar-feeling as it is difficult to pinpoint. Mostly made up of textural, spacious three- to four-minute pop anthems with towering choruses, BRFM is a welcome reminder that an album doesn't have to be bombastic to feel huge and important. Take out the earbuds and let it fill a space: This is music that's bigger than your iPod—music you'll want to feel all around you. Though not quite coming out of nowhere, BRFM seems like a surprise gift—a striking consolidation of the spiky psych-prog tendencies of their debut into a pop framework." [1]
Jeff The Brotherhood
JEFF The Brotherhood is Jake and Jamin Orrall, two brothers that play drums and guitar. They grew up in Tennessee making music and trying to have a good time. Since their inception they have been playing anywhere from house parties to rooftops, backyards, bars and art galleries and releasing their own records, tapes, comic books and home made videos. The Brotherhood has been called "kraut punk", "psychedelic grunge" and "noise pop" drawing comparisons to bands like Hawkwind, Wipers, and early Sonic Youth. They have been carrying their heavy damage all over the country since 2006 and have shared bills with Oneida, Battles, Sonic Youth, Ex-Models, Jay Reatard, Black Pus and Dave Cloud. Their "we'll play anywhere" attitude and frenetic live shows have earned them near legendary status in the clubs and basements of Nashville and beyond. With three guitar strings and a minimal drum kit, they manage to distill rock to its primal essence. 2009 has seen JEFF The Brotherhood rip up stages with the likes of Ted Leo & The Pharmacists, Ty Segall, and legendary Japanese rockers Shonen Knife. All in support of their 5th full-length, 'Heavy Days', on the group's own imprint Infinity Cat Records. January 5th, 2010 will see the CD-version of 'Heavy Days' be released, as their vinyl-only LP has out-sold even the likes of Metallica and topped many U.S. vinyl sales charts since Oct! Here's what the press has been saying about JEFF: "Think this is 'heavy'? Try 'obliterating.'" - Self-Titled Magazine "Noisy, psychedelic, grungy, even ever-so-slightly post-punk, JEFF feels like a stroll through the best record collection ever" - Punknews.org "Just try to get through one of their sets without stomping your foot and pumping your fist." - Nylon Magazine "Jeff the Brotherhood brings a garage-rock attack to ’70s stoner metal, sounding something like Queens of the Stone Age if they recorded a tribute album to the Standells or some other Nuggets rock band." - Entertainment Weekly


